新诗:在通向白话的途中——以早期新诗四个流派为中心  

New Poetry:On the Way to the Vernacular

作　　者：颜同林[1] 

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《武陵学刊》2013年第6期90-94,共5页Journal of Wuling

基　　金：国家哲学社会科学基金项目"方言入诗资料整理与研究"(11XZW012);贵州省高校优秀科技创新人才支持计划(黔教合KY字[2012]087号)

摘　　要：白话为诗是新诗在20世纪20年代中期跃居诗歌正宗的核心环节,无限贴近口语和与土白的进一步分离,成为新诗语言形式探索的又一标志。象征派、新月诗派、现代派和中国诗歌会等四个诗歌流派,代表着此一时期白话诗史上四种既有差异性又互相联结的诗歌语言走向,白话本身在诗语层面有清晰而明确的流变脉络。在"白话"与"诗"之间,白话新诗始终以语言为再出发的原点。Using the vernacular in poetry creation is of significance for new poetry to elevate to he the orthodox poetry in 1920s. Close relation to spoken language and further separation from the colloquial has become a symbol of language exploration of new poetry. Symbolism School, Crescent School, Modernist Poetry School and China Poetry Association represented the four existing different yet interrelated poetry language tendencies. Between ＂the vernacu- lar＂ and ＂poetry＂, the vernacular new poetry always takes language as the depart point.

关 键 词：白话诗 语言观念 新诗流派 

分 类 号：I207.25[文学—中国文学]