试论中法建筑文化在世纪之交的碰撞——巴黎卢浮宫金字塔与北京国家大剧院的解读  

Essay on the Collision of Chinese and French Architecture Culture at the New Millennium ——An Interpretation of the Louvre Pyramid and Beijing National Grand Theatre

作　　者：刘临安[1] 杨安琪[1] 

机构地区：[1]北京建筑大学建筑与城市规划学院,北京100044

出　　处：《北京建筑工程学院学报》2013年第4期1-6,共6页Journal of Beijing Institute of Civil Engineering and Architecture

摘　　要：以新世纪之交的历史时段作为背景,将中法建筑文化中的两个重要建筑—巴黎卢浮宫金字塔与北京国家大剧院作为对象,试图通过对于这两座地标性建筑的文化特点以及建筑师的文化背景和建筑观念的分析,解读建筑创作的构思方法和表达意象的途径,讨论建筑对于社会产生的共鸣效应、文化认同作用以及建筑师的社会责任.The essay, taking the examples of the Louvre Pyramid and Beijing National Grand Theatre, attempts to compare the cultural characters, analyses the cultural backgrounds and different concepts of the two master architects, while interpreting the diverse methodology in architecture design and image expression. The social response towards the masterpieces, the cultural identity reflected in the landmark buildings as well as the duty of architects at the turn of the new century are discussed also.

关 键 词：卢浮宫金字塔 国家大剧院 碰撞 比较 意义 

分 类 号：TU86[建筑科学] TU242.2