近代汉族民间服饰变革的政治与文化解读  

Political And Cultural Interpretation of Han Folk Clothing's Reform in Modern Times

作　　者：李洪坤[1] 崔荣荣[1] 姜飘飘 

机构地区：[1]江南大学汉族服饰文化与数字创新实验室,江苏无锡214122

出　　处：《内蒙古大学艺术学院学报》2013年第4期41-45,共5页Journal of Art College of Inner Mongolia University

基　　金：国家社科基金青年项目(10CZS003);教育部新世纪优秀人才支持计划(NCET-12-0886);中央高校基本科研业务费专项资金资助(JUSRP51327A)阶段性成果

摘　　要：服饰作为民族文化的重要标志,是一个民族在特定时代的文化风俗表象,是政治、经济、外来文化、风俗习惯等因素的综合表现。清末民初是一个新旧交替的时期,汉族民间服饰面貌受政治革新、西风东渐的影响,在秉承民族特色的基础上发生了诸多变革,服饰文化亦随变革的进程注入了新的活力。As an important symbol of national culture, clothing is a representation of cultural custom in a specific era and is the comprehensive performance of politics, economy, foreign culture, customs and other factors. The end of the Qing Dynasty is a transitional period. Affected by political reform and the spread of western cultures into the east, the appearance of Han folk clothing has undergone a lot of changes on the basis of adherence to national characteristics. And along with the reform process, clothing culture was injected with new vitality.

关 键 词：近代 汉族服饰 政治变革 西风东渐 服饰文化 

分 类 号：TS941.1[轻工技术与工程—服装设计与工程] K25[历史地理—历史学]