大唐服饰文化对统一新罗服饰的影响  

On the Effect of the Clothing Culture in Tang Dynasty to the Clothing in Unified Xinluo

作　　者：竺小恩[1] 

机构地区：[1]浙江纺织服装职业技术学院

出　　处：《浙江纺织服装职业技术学院学报》2013年第4期54-60,共7页Journal of Zhejiang Fashion Institute of Technology

基　　金：2013年度浙江省哲学社会科学规划立项课题<中国与东北亚服饰文化交流研究>[编号:13NDJC165YB]

摘　　要：新罗在朝鲜半岛三国中发展较晚,但它最后灭了高句丽和百济,统一了半岛,究其原因:便是积极发展与中国的关系,成功地引进中国先进文化。新罗与中国的交往以唐朝为盛,尤其是统一新罗时期(公元668-935年),通过各种方式全方位与中国发生关系。文章借助文献资料和庆州龙江洞出土的新罗男女俑的服饰形象以及中国敦煌莫高窟唐代壁画世俗人物服饰形象,讨论了唐朝服饰对新罗服饰的影响问题。指出在服饰文化上,新罗人通过遣唐使、留学生接受中国服饰文化,新罗君臣从唐王朝获赏大量的服饰和衣料;在中国服饰文化影响下,统一新罗的服饰无论是服饰制度,还是服装款式、着装风格,都逐渐大唐化。Xinluo developed late in the three countries on the Korean Peninsula, but finally it wiped out Goguryeo and Baekje and unified the peninsula. The reason was to actively develop the relations with China and to suc- cessfully introduce advanced Chinese culture. The interaction between Xinluo and China was most flourishing in Tang dynasty, especially in the unified Xinluo period （AD 668-935）, when it was related with China by all means. Based on the literature, Xinluo figurines unearthed in Gyeongju Longjiang cave, and the secular characters in the murals of Tang dynasty in China Dunhuang Mogao Grottoes, this paper discusses the effect of the clothing in Tang dynasty to that in Xinluo. It points out that in clothing culture, Xinluo people accepted Chinese clothing culture through envoys and overseas students, and the king and the ministers got a lot of cloth- ing and materials as rewards from the emperor of Tang dynasty. Under the influence of Chinese clothing culture, the clothing system or the design or the manner, the clothing in unified Xinluo gradually went closely in style to that in Tang dynasty.

关 键 词：唐朝 统一新罗 服饰文化 龙江洞土俑 莫高窟壁画人物 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]