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作 者:巫洪亮[1]
出 处:《重庆社会科学》2013年第12期64-69,共6页Chongqing Social Sciences
基 金:2010年教育部人文社会科学青年项目“‘十七年’诗歌研究”(批准号:10YJC751094);2011年福建省社会科学规划青年项目“‘十七年诗歌’现象研究”(批准号:2011C035);龙岩学院青年教师攀登项目“当代文学期刊研究”
摘 要:在"十七年"的诗歌生产中,"乡村"不仅是诗人激情想象与理性建构的对象,同时也是被多维意义反复浇铸而构造起来的崭新空间。"精神"、"物质"与"权力"是"十七年"诗人建构乡村空间政治属性的三种维度,被充分"诗意化"的乡村空间以一种隐蔽和柔性的方式重构着民众的精神记忆,被"物质"所填充的乡村空间交织着民众迈向现代化的渴求与焦虑、紧张与惶恐,刻写了"权力"印痕的乡村空间则参与了阶级身份的界划与指认,赋予了乡村女性新的权力。Rural areas is not only the object of the poets' passionately imagining and rationally constructing, but also the brand new space which is structured through repeatedly casting by multidimensional meaning during the production of "Seventeen Years" Poetry. "Spirit", "material" and "power" is the three dimensions of the poets constructing the political attribute of space of rural areas. The space of rural areas being fully "poetic" reconstructs people's spiritual memory in a hidden and flexible way. The space of rural areas being filled with "material" interweaves people's craving and anxiety, tension and fear of marching forward modernization. And the space of rural areas being carved into "power" is involved in the class identity demarcation and identification and gives the women in rural areas new power.
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