易卜生戏剧中“地理存在”的三种形态  

Three Forms of Geographical Presence in Ibsen's Drama

作　　者：陈清芳[1] 杜雪琴[2] 

机构地区：[1]武汉理工大学外国语学院,湖北武汉430070 [2]中国人民大学文学院,北京100872

出　　处：《武汉理工大学学报（社会科学版）》2013年第6期1042-1047,1054,共7页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：2012年教育部人文社会科学研究青年基金项目(12YJC752006)

摘　　要：以易卜生的戏剧为例,以图式的方法作为引导,探讨文学作品中地理存在的三种形态,即"显在形态"、"偶在形态"与"隐在形态"。其"隐在形态"让其部分戏剧只是停留于对自然地理平面描写的"外形"状态;"偶在形态"使自然地理以各种方式参与到表达人物内心复杂空间的建构之中来,从而使文学作品富有思想和艺术魅力;而"显在形态"让自然地理与作品中人物的心理与情感完好结合,进入到了"外形"与"内质"相结合的形态。文学地理学批评提倡文学作品对自然地理的深度关注,与自然山水进行友好和谐的对话,使其与对人类精神图景的刻画相结合,从而使文学作品达到更为完美的境界。易剧中地理因素呈现的不同的状态,表明了剧作家对于戏剧艺术的追求一直处于探索之中。This essay explores the three forms of ＂geographical presence＂ in Ibsen＇s dramas, namely, the overt, occasional and potential presence, based on the methodology of geographical schema and theory of literary geographical criticism.The overt form of geographical presence in the dramas settles for the physical description of the natural geography; the occasional form. On the other hand, it plays an important role in the formation of the characters subtle psychological space.The potential form, however,displays a perfect combination of natural geography with the characters＇ psychology and emotions. Literary geographical criticism advocates genuine concern for and dialogue with the nature, as well as the combination of physical description with spiritual landscape.The different forms of ＂geographical presence＂ in Ibsen＇s dramas show that the dramatist is in constant pursuit of dramatic art.

关 键 词：易卜生 地理存在 地理缺失 显在形态 偶在形态 隐在形态 

分 类 号：I83[文学]