现代主义视域下《海上钢琴师》的人性透视  

On the Main Characters＇ Human Nature of The Legend of 1900 in the Perspective of Modernism

作　　者：黄昊文[1] 陈玉玲 

机构地区：[1]湖南科技学院大学英语教学部 [2]湖南永州蓝山县职业中专

出　　处：《世界文学评论（高教版）》2013年第3期219-222,共4页The World Literature Criticism

摘　　要：《海上钢琴师》是意大利著名导演朱塞佩·托纳托雷的“三部曲”之一。影片围绕弃婴“1900”在维吉尼亚远洋客轮上的传奇一生展开镜头，以20世纪早期的西方资本主义工业社会为故事背景，通过一个个鲜活的人物形象展示当时的社会状态下人们的精神生活，折射现代人精神生活的物化甚至异化。透过影片的一个个镜头，导演对人性美做了诠释，但更多的却是现代人人性的逐步沉沦，以致迷失。The Legend of 1900 was one of the famous trilogy directed by the great Italian director Giuseppe Tornatore. This movie showed us a legend of the hero-1900＇s life. Based on the background of the industrial society of the western capitalism in the early 20^th century, the story displayed modem people＇s spiritual life with the help of various kinds of passengers on Virginia, reflecting the materialization and alienation of modem people＇s spiritual life. Through the scenes in the movie, the director delivered a profound interpretation of the beauty in human nature, while, he spared more energy to probe into the sinking even the loss of modern people＇s human nature.

关 键 词：《海上钢琴师》 现代主义 精神生活 人性 

分 类 号：I207.42[文学—中国文学]