两性审美和欲望的焦点--论18世纪英国诗歌中的中国瓷器  

Focus of both Men and Women's Aesthetic Appreciation and Desire: An Analysis of Chinese China in the Eighteenth-Century English Poetry

作　　者：任晓晋[1] 侯铁军[2,3] 

机构地区：[1]武汉大学外语学院,430072 [2]武汉大学英美文学 [3]景德镇陶瓷学院人文学院

出　　处：《外国文学研究》2013年第6期95-104,共10页Foreign Literature Studies

基　　金：江西省社科规划江西高校外国语言教学研究专项课题“中西咏陶诗词比较研究”【项目批号:11WX322】的阶段性研究成果

摘　　要：18世纪英国诗歌中的中国瓷器是两性审美和欲望的焦点所在。男性将瓷器类比成女性,将女性物化为瓷器,在这个瓷器的女性化与女性的瓷器化过程中,女性被降格成男性审美和欲望的客体;而女性则通过索取、观看和消费瓷器,将自己的审美和欲望外化于精美的中国瓷器之上,彰显自身的主体地位和价值,并通过赋予瓷器多种性别属性和多元形象,消解和超越了男性中心话语下"陶/男"和"瓷/女"的二元对立。18世纪末,中国瓷器在英国日渐衰落,这使得它从上述焦点走向边缘,被其他的物品所取代。The Chinese china represented in the eighteenth-century English poetry is the focus of both men and women＇s aesthetic appreciation and desire. Men reduce women to the object of their aesthetic appreciation and desire by drawing an analogy between china and women and by objectifying women into china, whereas women, by means of requesting, seeing and consuming china, foreground their subjectivity and value by projecting their aesthetic appreciation and desire onto the beautiful and delicate china. In addition, women dissolve and transcend the binary opposition between ＂earthenware/man＂ and ＂china/women＂ constructed by the male-centered discourse through endowing china with multi-gender and multi-identity. The end of the eighteenth century witnesses the fall of Chinese china in English society; hence it has lost its focal position and been replaced by other materials as the above-mentioned focus.

关 键 词：18世纪英国诗歌 中国瓷器 两性审美和欲望的焦点 

分 类 号：I561.072[文学—其他各国文学]