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作 者:宁夏江[1,2]
机构地区:[1]韶关学院文学院,广东韶关512000 [2]暨南大学文学院,广东广州510632
出 处:《西华大学学报(哲学社会科学版)》2014年第1期30-34,51,共6页Journal of Xihua University(Philosophy & Social Sciences)
基 金:广东省高校人文社科研究项目"清诗学问化研究"(项目编号:2012WYXM0053);教育部人文社会科学研究项目"晚清学人之诗研究"(项目编号:09YJC751060)
摘 要:王国维中西融合的诗学思想,在戊戌变法至辛亥革命前已经形成。他的诗歌创作对其诗学思想存在先"依"后"违"的现象。他前期创作的与其诗学思想相"依"的欧西哲理诗,在晚清诗坛中自成一格,是晚清诗坛的一枝奇葩;他后期创作的与其诗学思想相"违"的传统文人诗则基本上不脱旧伦理、旧诗学的范畴,几无创新意义。造成这一现象的原因与他对西方哲学信仰的动摇、社会思潮的影响以及"古雅"美学观的形成有关。Wang Guowei' s poetic thoughts formed between Wuxu Political Reform and 1911 Revolution, which mingled the west and Chinese culture. His poetry creation conformed his poetic thoughts at first but violated them in the end. His early poems, in conformity to his poetic thoughts, were of western philosophical theory, which outshone other poems in the late Qing Dynasty. However, poems in his later life were of traditional scholars, which violated his poetic thoughts and were confined to the old ethnics and poetics. This change resulted from his crumbling faith in western philosophy, influence of social thoughts and the aesthetic view of "classic elegance".
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