探析西方绘画对当代中国工笔人物画的影响  

Influence of Western Paintings on Contemporary Chinese Brushwork of Figures

作　　者：孔伟利[1] 张善庆[1] 

机构地区：[1]皖西学院艺术学院,安徽六安237012

出　　处：《淮海工学院学报（人文社会科学版）》2013年第21期94-96,共3页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

基　　金：安徽省教学研究重点项目(2012jyxm437);皖西学院2013年度委托课题(2013zb42)

摘　　要：西方绘画因素对中国工笔人物画有着很深的影响,丰富发展了当代中国工笔人物画,也显现了中国工笔人物画具有很强的包容性。西方传统绘画观是一套独特的、自成体系的写实观,而中国人追求的是意象的表现,注重主体对于主观感受的描绘。当代中国工笔人物画的基本取向是以现代人的眼光重新审视传统,开拓新的形式语言,并且结合当下社会现实的需要,迎合了新时代的审美需求。Elements of western paintings have exerted great influence upon Chinese hrushwork of figures, enriching and promoting its development. At the same time, such an influence indicates that the Chinese brushwork of figures is absorptive. Different from the Western concept of traditional painting which has formed a unique realistic outlook, Chinese paintings lay more emphasis on the presentation of images and subjective feelings of the subjects portrayed. As far as the basic orientation of contemporary Chinese brush- work of figures is concerned, it re-examines tradition from a contemporary viewpoint, adopting new lan- guage forms and catering to current social reality to meet the aesthetic needs of a new era.

关 键 词：当代 西方绘画 工笔人物画 

分 类 号：J20[艺术—美术]