凋零寓乡愁 寻觅寄别情——李清照词菊花意象的哀怨苦像与审美局限  

Homesickness in Withered Flowers and Parting Sorrow in Seeking——The Sorrow and Aesthetic Limitation of Chrysanthemum Imagery in Li Qingzhao's Poetry

作　　者：张炜 

机构地区：[1]上海城乡建设交通党校,上海200233 [2]上海城市管理学院,上海200233

出　　处：《唐山学院学报》2014年第1期86-89,共4页Journal of Tangshan University

摘　　要：李清照词的菊花意象经常被阐释为生离之愁、国家之愁、民族之愁。剔除现有诸多版本的阙疑,可以确认李清照流传下来的词作中有五首提到了菊花,而且在词境里关于菊花的意象是有很大差异的。围绕李清照在朝代嬗变崩塌之时其词作盘桓在菊花意象上的精神本原,可以看到古典生命的抒写过程并不是死生契阔、凄婉悲鸣的女性词人的写作品格。The chrysanthemum imagery in Li Qingzhao^s poetry is often interpreted as the worry of death, the worry of the country, and the worry of the people. It is now certain that chrysan- themum is mentioned in 5 of her existing poems and the images of chrysanthemum are strikingly different. Based on chrysanthemum imagery in Li Qingzhao＇s poetry written during the dynasty transmutation, it is concluded that death and sorrow are not characteristic of female poets.

关 键 词：李清照 菊花意象 金石器物 欲望抒写 

分 类 号：I106[文学—世界文学]