晚明书坊戏曲的盗版与作伪浅析  

Analysis of Piracy and Fake in Operas Printed by Bookshops in Late Ming Dynasty

作　　者：赵林平[1] 

机构地区：[1]扬州大学文学院,扬州225002

出　　处：《出版科学》2014年第1期105-107,共3页Publishing Journal

基　　金：江苏省2013年度普通高校研究生科研创新计划项目"晚明书坊刻印戏曲研究"(CXLX13_889)的阶段性成果

摘　　要：晚明书坊在戏曲刊印与发行过程中为获取稿源,谋求利润,不惜采用各种盗版与作伪手段。常见的盗版方式为:翻刻别家刻本,不交代版刻来源;将他人作品改换名目,冒充新作刊刻;将他人作品据为己作刊刻印行。常用的作伪手段有:购买戏曲旧版,修改版权题署,伪作新书印售;收购戏曲残版,铲改、增补旧刻,另易书名发行;伪托名家作序和评点。The late Ming bookshops in operas print and issue process, to obtain manuscript sources, seek profits, using e variety of pirated and fake measures. Common way of piracy is carving another edition, not replacement illustrious tag source; the works of others changed names, posing as a new publication; the works of others to himself for publication. Common fake measure is to buying the old operas version, modifing the copyright agency, pretending to be new book; acquisition of operas residual version, shovel, supplement old moment, changing another title to issue; forging famous preface and commentary.

关 键 词：书坊 戏曲 盗版 作伪 

分 类 号：G239[文化科学]