浅析话剧《活着》  

The Analysis of Drama Alive

作　　者：张小燕[1] 高杰[1] 

机构地区：[1]海南大学人文传播学院

出　　处：《商》2013年第24期392-392,379,共2页Business

摘　　要：孟京辉,当今剧坛最活跃的话剧导演,作为中国先锋戏剧的代表人物,他不断在话剧形式和思想内容上开辟新路。话剧《活着》改编自余华小说《活着》,该剧在舞台上运用的显在叙事模式和表达的思想内涵成为该剧最吸引人的亮点,也为当今并不景气的剧坛带去一丝"活着"的希望。Meng Jinghui, the most active drama director, as the representative figure of China Pioneer Drama , is exploring constantly new paths in form and content of drama.Drama Alive recomposes from Yu Hua’ novel Alive, it applies the obvious narrative mode and expresses the thought , which becomes the most attractive spot.In addition , Drama Alive also brings a litter hope for contemporary depressed theatrical circles.

关 键 词：《活着》 形式意义 思想意义 

分 类 号：I207.42[文学—中国文学]