从民族文化融合视域看元代蒙古族汉文诗创作的演变  

On the Evolution of Chinese Poetry by Mongolian from the Perspective of Ethnic Cultural Infusion in Yuan Dynasty

作　　者：毕兆明[1] 

机构地区：[1]内蒙古民族大学研究生处,内蒙古通辽028043

出　　处：《内蒙古民族大学学报（社会科学版）》2013年第6期45-47,共3页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：内蒙古自治区高校科研项目:"元代蒙古族汉文诗审美特征跨文化比较研究"(编号:NJSY12135)阶段性成果

摘　　要：元代是多民族文化交融的重要时期,元代文学具有多元共生的鲜明特征,在这样的文化背景下,很多少数民族诗人精通汉语,并直接用汉文创作,汉文诗创作异军突起,成绩斐然。元代蒙古族汉文诗创作是不断变化的,通过对伯颜和泰不华的汉文诗比较,可以发现前期和中后期创作的明显变化,这种变化与元代多元文化共生尤其是蒙汉文化的交融是密不可分的。Yuan Dynasty is the important period of multi - ethnic cultural integration. In such a social back- ground, a lot of minority poets had a good command of Chinese, and wrote in Chinese directly. Chinese poetry was arisen and made significant achievements. The Mongolia nationality Chinese poetry is changing. Based on the comparison of the Chinese poetry by boyan and taibuhua , can clearly detect obvious differences from early to late. This change closely related to the multi- ethnic cultural integration, especially the blend of Mongolian and Han culture ,

关 键 词：文化融合 汉文诗 伯颜 泰不华 

分 类 号：I207.22[文学—中国文学]