超越男权话语的女性叙事——论艾·门罗的女性成长小说《乞女》对灰姑娘模式的解构  

The Feminist Narrative Beyond the Patriarchal Discourse——On the Deconstruction of Cinderella Mode in Alice Munro′s Female Initiation Novel The Beggar Maid

作　　者：段红玉[1] 

机构地区：[1]东北师范大学外国语学院,吉林长春130024

出　　处：《东北大学学报（社会科学版）》2014年第1期107-110,共4页Journal of Northeastern University(Social Science)

摘　　要：灰姑娘文学话语系统背后的生成话语是浓厚的男权中心意识,即女性地位的攀升需要依赖婚姻(男性)得以实现。门罗的女性成长小说《乞女》虽然启用了灰姑娘模式,但是将其放置于现代社会语境之中,从身份、阶级和性别三个维度揭露其内在矛盾性和潜在危机,同时依照成长小说的书写轨迹,使人物的成长动态地偏离灰姑娘模式,并最终解构了这一模式。此外,门罗对女性经济独立的重视,也反映了她的理性和冷静,从而使整个"灰姑娘"命运变奏的叙事更加完整可信。Underneath the literary discourse of Cinderella is the patriarchy-centered consciousness, which holds that women＇s promotion is realized by men＇s favor of them. In Alice Munro＇s female initiation novel The Beggar Maid, Munro sets the Cinderella mode in the background of a modern society, where she exposes its inner conflicts and crises from the dimensions of identity, class and sex. Munro follows the writing model of an initiation novel to depict a dynamic female hero, and finally deconstruets the Cinderella mode through the heroine＇s breaking away from marriage. Furthermore, Munro＇s emphasis on the heroine＇s economic independence makes her narrative on the deconstruction of the Cinderella mode complete and reliable.

关 键 词：灰姑娘模式 男权话语 女性成长 《乞女》 

分 类 号：I37[文学—其他各国文学]