长沙油画的文化品质与学术价值  

On the Cultural Quality and Academic Value of Changsha Oil Painting

作　　者：严明[1] 

机构地区：[1]长沙大学艺术系,湖南长沙410022

出　　处：《长沙大学学报》2014年第1期16-18,共3页Journal of Changsha University

基　　金：长沙市科技计划项目"现代长沙油画时代划分探索研究";编号:K1205069-71

摘　　要：长沙油画在近60年的发展历程中,概括起来可分为四个阶段,这四个阶段也正是国家文化转型和市场与资本介入艺术的时期。艺术观念从政治需要转向自由表达个人"内心"的需要,"他者"作为一种语言交流形态植入湖湘本土的民族文化中,具有了地域文化的特征,长沙油画就是"油画民族化"的代名词,在几十年的磨励中其文化品质与学术价值在不断提升。The developing process of Changsha oil painting in recent 60 years can be divided into four stages, which are also the very moment of national culture transforming and market and capital being introduced into art. The view of art is shifting from meeting politi- cal needs into freely expressing personal inside demands. ＂Others＂, as a form of language communication is rooted into Huxiang local ethnic culture, and is of regional cultural characteristics. Changsha oil painting is the synonym of ＂oil painting nationalization＂, and its cultural quality and academic value are continuously improving in these years.

关 键 词：长沙油画 文化品质 学术价值 

分 类 号：J213[艺术—美术]