传统戏曲音乐的当代嬗变和歌剧化戏曲音乐的形成及特征  

Contemporary Evolution of Traditional Drama Music and Formation and Characteristics of Opera Music in Dramas

作　　者：周来达[1] 

机构地区：[1]宁波大学艺术学院

出　　处：《浙江艺术职业学院学报》2013年第4期24-34,共11页Journal of Zhejiang Vocational Academy of Art

摘　　要：传统戏曲音乐已经嬗变为歌剧化音乐。歌剧化音乐的形成,大体经过了20世纪40年代中期至"文革"前,"文革"期间和新时期以来三个阶段的孕育发展。歌剧化音乐的本质特征主要有音乐创作理念、创作思维和作曲技巧的西方化,音乐创作的个体性,作品的专利性,程式的模糊性,功能突出娱乐性,剧种声腔的趋同性,传播的复制性和非繁衍性,流派唱腔的模仿性,过门音乐的模式性等。目前我国存在着三类戏曲音乐,一个多元戏曲音乐交相辉映的时代已经来临。清醒、清晰地认识和认清我国当代戏曲音乐的变异及其性质、特征等是保护发展戏曲和戏曲音乐的前提,不遗余力地实施多元化发展战略,戏曲和戏曲音乐的美好未来,值得期待。Traditional drama music has changed three periods, namely from the mid 1940s to ＂the into opera music. The opera music in dramas generally forms in Cultural Revolution＂, during ＂the Cultural Revolution＂ and since the New era. The essential characteristics of opera music in dramas are mainly the westernized music concept, crea tive thinking and composing skills, the individuality of music, entertainment function, etc.. Currently there are three types of drama music. A sober and clear understanding of the variation, nature and characteristic of contempo rary drama music is necessary for the protection and development of traditional Chinese opera as well as its music.

关 键 词：戏曲音乐 传统戏曲音乐 歌剧化戏曲音乐 特征 

分 类 号：J617[艺术—音乐]