1960年代台湾女性文学的处境与抉择  

The Situation and Choice of Taiwan Feminine Literature in the 1960s

作　　者：周海琳[1] 吴琼[2] 

机构地区：[1]集美大学教师教育学院,福建厦门361021 [2]江西师范大学外国语学院,江西南昌330022

出　　处：《南昌大学学报（人文社会科学版）》2014年第1期130-137,共8页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：福建省教育厅人文社会科学研究项目"1950年代大陆赴台女性文学的审美品位及其影响研究"(JA13183S);集美大学校级启动基金项目"1950年代大陆赴台女作家文学创作倾向及其影响研究"(Q201306)

摘　　要：1960年代的台湾女性文学并未朝着学院派精英们所期待的西方现代主义文学直线发展。在宽松又保守的环境中,女性文学创作中具有时代精神的个性化写作仍被官方主流话语排斥。在此处境下,众多女作家向传统折回,或用牧歌的调子歌咏彼岸乌托邦,或接续"五四"传统给弱小者以人文关怀,或在现代城市生活和海外侨居生活的描写中回归传统的儒家伦理道德规范。她们以迂回的路径和丰富多元的表现,在共同的心理基础上构建了丰富的文学景观。In the 1960s, Taiwan feminine literature did not develop to be western modern literature as the aca- demic elites had expected. This kind of relaxing, yet conservative surroundings influenced the feminine literature at that time, promoting them to produce personalized works with epoch meaning. However, their articles couldn＇ t gain acceptance in the official mainstream circle. Under this circumstance, numerous feminine writers had no choice but to return to tradition. They either eulogized the mainland utopia with rustic melody, or showed humanistic concern to the weak by adopting the writing style of the May 4th tradition, or returned to traditional Confucian ethics by descri- bing the modern urban life and overseas Chinese. All in all, they constructed a colorful literary sight based on their common psychology by returning to tradition and productive performance.

关 键 词：女性文学 处境 抉择 1960年代 台湾省 

分 类 号：I206.7[文学—中国文学]