魏晋美女赋之演变  

The Evolution of Odes to Beauty in the Wei and Jin Dynasties

作　　者：马黎丽[1] 

机构地区：[1]兴义民族师范学院文学与传媒系,贵州兴义562400

出　　处：《贵州民族大学学报（哲学社会科学版）》2013年第6期88-92,共5页Journal of Guizhou Minzu University:Philosophy and Social Science

基　　金：国家社科基金资助项目(西部课题)"建安赋研究"[编号:13XZW009];贵州省教育厅高校人文社科规划项目"魏晋赋作研究"[编号:12GH017]

摘　　要：美女赋自宋玉发端,建安美女赋的新变在于其游戏笔墨的色彩、对女性的尊重和对女性内心世界的关注以及塑造美女形象的新突破;《洛神赋》集前代美女赋之大成;晋代美女赋呈式微之态,但也呈现出新变之象,张华赋有诗化倾向;张敏赋具有小说特点;陶渊明《闲情赋》则在继承的基础上创造了"十愿十悲"的动人艺术境界。Odes to beauty originated from Song Yu, and developed from the Han Dynasty to the Wei and Jin Dynasties and the Six Kingdoms, which portrayed respect for women as well as the depiction of female mentality and beautiful women＇ s images. There were some trends to- ward poetry and novels or artistic images.

关 键 词：美女赋 继承 新变 

分 类 号：I207[文学—中国文学]