敦煌彩塑的色彩之美  

The Beauty of Color of Dunhuang Sculptures

作　　者：陈墨宝[1] 

机构地区：[1]兰州文理学院美术系

出　　处：《雕塑》2013年第6期56-57,共2页Sculpture

摘　　要：自从古老的彩陶时代开始,"塑"与"绘"这两种造型手法便互相补充、紧密结合。塑绘不分家,使得敦煌彩塑与敦煌壁画在审美要求上具有一致性,从而孕育出了雕塑与绘画的共同品格。对于敦煌彩塑而言,色彩语言不是雕塑形体的附加物。雕塑的形体和色彩语言之间有一种有机的整体联系,毫无支离破碎和不和谐的生硬感觉。Since the period of ancient painted pottery, there were two sculptural methods which called ＂plastic＂ and ＂painting＂ , they had the strong combination with each other.Because ＂plastic＂ and ＂painting＂ would never be separated,so that as for the aesthetic requirements of sculptures and fres- coes in Dunhuang,there was a kind of uniformity, which gives birth to the common characters of sculpture and painting. As for the colorful murals of Dunhuang, the language of color does not equal to the ap- pendage of forms of sculptures.There was an organic connection between the forms and language of color of sculptures, which are without any fragmented and sense of disharmony.

关 键 词：敦煌 彩塑 色彩 

分 类 号：J305[艺术—美术]