东巴跳源于纳西族丧葬舞蹈的田野调查  

Field investigations into the Naxi funeral dance origin of Dongba dance

作　　者：和春云 胡小明[2] 葛锦润 和永杰 

机构地区：[1]丽江师范高等专科学校体育人类学研究中心,云南丽江674100 [2]华南师范大学民族体质与健康研究中心,广东广州510006

出　　处：《体育学刊》2014年第1期114-117,共4页Journal of Physical Education

基　　金：国家社会科学基金重点项目(10ATY001)

摘　　要：对纳西族东巴跳及丧葬舞蹈进行多次田野调查,并运用体育人类学动作分析法进行实证研究,表明纳西族丧葬舞蹈动作的文化符号特征是"连臂一体"及动物模仿,为氐羌系民族迁徙历史传统中保留的特殊身体文化积淀。在图腾生殖崇拜影响下,纳西先民从"连臂一体"的丧葬舞蹈中解放出双手,产生了可精细化的个体动物模仿巫术。祖灵和神灵崇拜出现和发展,促使纳西族丧葬舞蹈演变为东巴跳。The authors conducted several field investigations into Naxi Dongba dance and funeral dance, and did an empirical study by means of movement analysis in sports anthropology, and revealed the followings： the cultural symbol of Naxi funeral dance moves is characterized by“arms and body integrated”and animal imitation, the spe-cial body culture heritage remained in the migration history tradition of the Diqiangxi nationality;under the influ-ence of totem reproduction worship, Naxi ancestors freed their hands from “arms and body integrated” funeral dance, developed finely imitable individual animal imitation witchcraft;the appearance and development of ances-tral spirit and gods worship promoted the transformation of Naxi funeral dance into Dongba dance.

关 键 词：东巴跳 丧葬舞蹈 纳西族 田野调查 

分 类 号：G80-05[文化科学—运动人体科学]