夏庭芝《青楼集》之戏曲美学思想  

Aesthetics of Xia Tingzhi's Traditional Opera “Set Brothel”

作　　者：梁晓萍[1] 

机构地区：[1]山西师范大学文学院,山西临汾041004

出　　处：《山西师大学报（社会科学版）》2014年第1期93-96,共4页Journal of Shanxi Normal University(Social Science Edition)

基　　金：国家社科基金后期资助项目(12FZW003);山西省软科学项目(2012041073-02)

摘　　要：夏庭芝的《青楼集》为戏曲演员这些"贱者末者"立传,称赞她们精湛的技艺、出众的才华及其身为下贱却不断奋进的精神,体现出对于弱势生命存在的人文关怀;《青楼集》具有较为明晰的舞台表演意识,不仅重视演员的表演才能,还欣赏其超群的记忆力、广博的见识力、过人的理解力、敏捷的反应力和不凡的作诗能力等,这些都是基于戏曲接受主体反应基础之上的一种美学思想;夏庭芝强调戏曲要关涉风化,遵守礼义,对统治秩序的巩固发挥作用,表现出他承继中国美学思想史上基于政治而形成的"德"与"和"的认识观念,成为这一思想链条上重要的一环。Xia Tingzhi＇s ＂Set Brothel＂ is created for the ＂humble actors＂ by praising their expertise skills, outstanding talents and the spirit of pursuing progress despite the humble origin, which reveals the humane care for the existence of the weak. ＂Set Brothel＂ has the obvious consciousness of stage performance, which not only stres- ses the actors＇ talents of performance, but also appreciates their superior memory, wide range of knowledge, out- standing comprehension, keen response and extreme ability to compose poems. These are a kind of aesthetic thought based on the reaction of opera subjects. Xia Tingzhi emphasized that operas should center on customs, rituals and should help consolidate the ruling order. He has inherited the viewpoint of ＂morality＂ and ＂harmony＂ based on politics in the history of Chinese aesthetics, which has become an important step of aesthetics.

关 键 词：夏庭芝《青楼集》 戏曲 美学 

分 类 号：J801[艺术—戏剧戏曲]