试论山东青铜乐器铭文的诗乐批评思想  

On the Criticism about Poetry and Music of Bronze Musical Instruments Inscription of ShanDong

作　　者：谭德兴[1] 

机构地区：[1]贵州大学人文学院,贵州贵阳550025

出　　处：《湖南大学学报（社会科学版）》2014年第1期96-101,共6页Journal of Hunan University(Social Sciences)

基　　金：国家社会科学基金项目:出土文献与先秦文学批评思想研究(07BZW007);贵州大学文科重点学科项目:两周金文比较研究(GDZT2010011)

摘　　要：山东地区出土的周代青铜器较多,而其中青铜乐器占据了很大数量。这些青铜乐器上的铭文蕴含丰富的诗乐批评思想,充分体现了周代山东地区诗乐思想发展的较高水平。深入研究周代山东青铜乐器铭文,可以深刻认知以诗乐批评为核心的中国文学批评思想在先秦时期的具体发展状况以及其中所呈现的地域特色,也可进一步探究周代中央王室与各诸侯国间诗乐思想互动的具体内涵。The bronze musical instruments occupy a large number of bronzes of the region of Shan-Dong.The musical instrument inscriptions have a wealth critical thinking of poetry and music.It fully re-flects the higher level of poetry and music of the region of ShanDong.With deeply studying of Shandong bronze musical instrument inscriptions,we can profound understanding to the specific situation about the criticism of poetry and music as the core of Chinese literary criticism in the Pre-Qin,and the geographical features of the criticism of poetry and music.We can further explore the specific meaning of interacting a-bout criticism of poetry and music between the central royal family of Zhou dynasty and regional.

关 键 词：山东 青铜乐器铭文 诗乐 文学批评 地域特色 

分 类 号：I206.2[文学—中国文学]