论新诗成长期的诗体探求  

An Exploration of the Poetic Style of the New Poetry in Its Growing Stage

作　　者：骆寒超[1] 

机构地区：[1]浙江大学传媒与国际文化学院,杭州310012

出　　处：《常熟理工学院学报》2014年第1期19-26,共8页Journal of Changshu Institute of Technology

摘　　要：本文立足于诗性语言决定诗歌外在体式的理论见解,考察了成长期新诗白话用语的三种类型:口语化白话、国语化白话和杂凑式白话,并在此基础上深入论证了以文学研究会诗群为首、采用口语化白话的诗人,坚持自由诗体写作;以新月诗派为首、采用国语化白话的诗人,探求格律诗体写作;以象征诗派为首、采用杂凑式白话的诗人,则在自发地作节奏自由诗体写作。Based on the theory of the poetic language which determines the external style of the poetry, this paper investigates the three types of vernacular new poems in their growing stage including colloquial vernacular, Manda-rin vernacular and mixed vernacular. And on this basis, the paper further demonstrates that the poets headed by lit-erature research association, who adopt colloquial vernacular, adhere to the free verse writing, that the poets headed by the New Moon Poetry School, who adopt Mandarin vernacular, explore the rhymed poem writing and that the po-ets headed by the Symbolist Poetry School, who adopt mixed vernacular, write verses of free rhythm spontaneously.

关 键 词：口语化白话 国语化白话 杂凑式白话 自由诗体 格律诗体 节奏自由诗体 

分 类 号：I207.25[文学—中国文学]