论朱天心作品中原乡认同的流变  

On the Transformation of Homeland Identification in Zhu Tianxin's Literary Works

作　　者：帅震[1] 

机构地区：[1]山东财经大学文学与新闻传播学院,山东济南250014

出　　处：《常熟理工学院学报》2014年第1期86-90,共5页Journal of Changshu Institute of Technology

基　　金：教育部人文社会科学研究青年基金项目"20世纪中国台湾文学中的原乡意识"(09YJC751053)

摘　　要：原乡认同指的是作家对自我精神和生命来源的寻找和构建。随着时代的变迁,朱天心作品中的原乡认同不断发生着变化:从"三三集团"时期对"大中国"信仰的认同,到走出象牙塔后为失落的眷村群体书写历史记忆,直至呈现"漫游者"四处寻觅并无所依归的悲情。朱天心作品中的原乡追寻经历了从认同到不认同的流变,展示了作家重塑自我、构建精神家园的努力。Homeland identification refers to the pursuits and construction of self-spirit and life origin. The home-land identification in Zhu Tianxin’s literary works transforms a lot with the change of the times. From looking for-ward to a faith of a great China in Sansan Group period to writing the historical recollections for the frustrated mili-tary residential community by departing from the ivory tower, her works show the flaneur’s pathos of no belongings and hovering around. The homeland pursuit in Zhu Tianxin’s literary works transforms from the identity to unidenti-fied character and shows the efforts of reinventing herself and constructing spiritual home.

关 键 词：原乡 原乡认同 “大中国”信仰 眷村 “漫游者” 

分 类 号：I206.7[文学—中国文学]