论张天翼小说的叙事视角及其功能  

Narrative Perspective and Its Functions in Zhang Tianyi's Fiction

作　　者：姜静[1] 

机构地区：[1]扬州职业大学人文学院,江苏扬州225000

出　　处：《中北大学学报（社会科学版）》2013年第6期97-102,共6页Journal of North University of China：Social Science Edition

摘　　要：张天翼运用讽刺的手法在他的喜剧世界里塑造了各种栩栩如生的人物形象,他别具一格的讽刺手法的形成得益于他对叙事视角的探索。张天翼小说中所采用的叙事视角可分为全知叙事、限制叙事和纯客观叙事,以及不同视角的交叠,它们具有不同的叙事功能,从而更好地体现了作者冷峻客观、无情揭露、辛辣讽刺的叙事风格;张天翼身处传统文学、西方文学与"五四"文学的交汇期,三者为他提供了丰厚的艺术资源,使他在叙事视角的选择和处理上能突破成规、别出心裁,取得了很好的叙事效果。Zhang Tianyi uses the satirical approach to shape the various vivid characters in his comedy world, and the formation of his unique satire benefited from his exploration in the narrative point of view. The narrative point of view of Zhang Tianyi＇s novels could be divided into the omniscient narrative, limited narrative, purely objective narrative and different perspectives overlapping, and they had different narrative functions, reflecting his cold and merciless sarcastic narrative style. Zhang Tianyi lived in the intersection of traditional literature, Western literature and the May 4th Literature, which offered him rich artistic resources and made him break with conventions, and gave him ingenuity and good results.

关 键 词：张天翼 小说 叙事视角 叙事功能 

分 类 号：I206.6[文学—中国文学]