话语变迁与法海形象的演变——基于民间传说多元发展的个案研究  

Discourse Change and the Evolution of the Image of Monk Fa-Hai:A Case Study Based on the Multiple-dimensional Development of Flklore

作　　者：余红艳[1,2] 

机构地区：[1]江苏大学中文系,江苏镇江212013 [2]华东师范大学民俗学研究所,上海200062

出　　处：《广西师范大学学报（哲学社会科学版）》2013年第6期58-63,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：中国博士后基金第十四批面上项目(编号:20100471200)子课题"白蛇传研究"

摘　　要：法海形象在"白蛇传说"的演变长河中,由护佑者成为破坏者,由正义走向恶魔,由佛家律令的执行者成为旧文化的守卫者,继而又演变成为革命斗争的对象,这一反面形象最终由田汉京剧《白蛇传》将之定型,并继而成为引导民间口头传说等非主流形态传播中的"权威形象"。法海形象的演变体现了多重文化语境中传说话语的动态变迁,也体现了民间叙事与文化精英叙事之间的深层互动。随着文化语境的改变,法海形象又必然随着传说的再创造、再演绎,经历更多富有文化意蕴的演变,并由此展现民间传说生生不息的文化力量。Throughout the long evolution of Chinese folklore ＂White Snake＂, the image of Monk Fa-Hai has changed from ＂protector＂ to ＂destroyer＂, from ＂justice＂ to ＂evil＂, from ＂the executor of Buddhist doctrines＂ to ＂defender of feudal culture＂ and finally to the target of revolutionary struggles. Now his negative image has finally been canonized in Tian Han＇ s opera of ＂Madam White Snake＂, and then become the authoritative image in guiding non-mainstream legends like folklore, etc. The change of Monk Fa-Hai＇s image represents the dynamic development of folklore discourse in the multi-cultural context as well as the deep interaction between folklore narrative and cultural elite narrative. With the shift of cultural context and the recreation and reinterpretation of folklore, the image of Monk Fa-Hai will inevitably undergo more rich changes full of cultural connotations, and thus embody the great cultural vitality of folklore.

关 键 词：白蛇传说 法海 精英叙事 民间叙事 

分 类 号：I276.3[文学—中国文学]