《随园诗话》与乾嘉性灵诗潮——兼论诗话与诗说体例的区别  

Suiyuan Shihua and the Poetic Movement of “Nature and Inspiration” in Qianlong and Jiaqing Reign Period

作　　者：张寅彭[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《复旦学报（社会科学版）》2014年第1期100-113,共14页Fudan Journal（Social Sciences）

摘　　要：本文从袁枚《随园诗话》的长篇形式与乾隆盛世全社会作诗的对应关系,袁枚"性灵"诗观的非理论形态,袁枚早达早退的生活方式与乾嘉诗学、考据学各成专门之学的因果关系,中国女性被其"整体"地推上诗坛等几个方面,对《随园诗话》这一部人尽皆知的名著之实质,重新进行了诠释,而诗话与诗说二体的区别,也在乾隆盛世诗学的繁荣中为人所更易见。This paper examines the following important issues ： how the great bulk of Suiyuan shihua （ Remarks on poetry from the harmony garden） reflects the prevalence of poetry writing during the Qianlong reign period; how Yuan Mei＇s early retirement from official life and the non-theoretical nature of Yuan＇s concept of ＂nature and inspiration＂ reflect the successful development of poetic theory and evidential studies during the Qianlong and Jiaqing eras; and how the number of Chinese female poets increased significantly during Yuan Mei＇s time. This paper aims to redefine the significance of Suiyuan shihua and elaborate the differences between shihua （＂ poetic remarks＂） and shishuo （ ＂poetic talks＂ ）.

关 键 词：袁枚 《随园诗话》 性灵诗潮 

分 类 号：I207.22[文学—中国文学]