简化的形式意味——比较视阈中的东北满族剪纸特征及其独特的审美价值  

Study on Characteristics and Unique Aesthetic Merit of Paper-cut of Man Minority in the Northeast in Comparative Perspective-horizon

作　　者：李秀云[1] 杨凤湖[1] 

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2014年第1期49-52,共4页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：教育部人文社会科学研究一般项目"东北民间文艺研究"(编号:11YJA751041);吉林师范大学研究生创新科研计划项目"满族剪纸形象神话原型研究"

摘　　要：作为东北黑土地上的民俗文化代表——满族民间剪纸,以其独特的地域特征和民族风情,让这颗艺术明珠闪耀出别样的艺术光芒。本文针对东北满族民间剪纸与闽南剪纸在起源、造型特点、艺术风格上的异同,以及通过分析二者在剪纸的创作手法、历史成因方面的差异,凸显东北满族民间剪纸别具一格的审美特征及其形式意味。Folk paper cutting of man minority is considered as a preventative of folk culture in the Northeast, whose unique region characteristic and ethnic custom contribute to making this bright artistic pearl shining with a special aesthetic radiance. Based on the similarities and differences in origin, shape characteristics and artistic styles of paper cutting of man minority in the Northeast and southern Fujian, the author tries to promote the unique aesthetic characteristics of folk paper cutting of man minority in the Northeast by analyzing and comparing the artistic skills and historical causes of the two paper cutting.

关 键 词：满族剪纸 闽南剪纸 审美特征 

分 类 号：G122[文化科学]