内外形式交织中的诗歌围城:诗歌空间内质论  

Intertwined Internal and External Forms of Poetry Siege: On Poetry of Space Endoplasmic

作　　者：鄢冬[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《湛江师范学院学报》2014年第1期67-71,105,共6页Journal of Zhanjiang Normal College

基　　金：教育部人文社会科学研究规划基金项目(12YJA51058)

摘　　要：诗歌内外形式决定了读者的审美。诗歌内形式指的是诗歌的意象,即诗歌空间类型;诗歌的外形式指的是诗歌在空间上的呈现形态,即诗歌空间体式。内外形式并不分裂,优秀的诗作总是把两者融为一体,其联结点在于诗歌的情感空间。诗歌的情感空间由诗人的个体经验决定,同时也被历史恒定的稳定结构所影响。在一代代诗人独特的情感空间的本质性变化下,诗歌意象发生着嬗变,诗歌空间体式或是随着诗歌意象的变化而变化,或是在时代观念的刺激下发生着更为奇异的变化。The inside and outside form of poetry determines readers＇aesthetic. The inner form refers to a form of poetry within the imagery of poetry; The external form refers to the outer form of poetry in space presentation,i, e. the poetry＇s space asana. External form and internal form are not separate. Excellent poet always fuses both sides of a poem. Their emotional connection point is just the poetry space. The poet＇s emotional space is determined by individual experience and historical constant stable structure in place. Generations of poets in the unique emotional space pursue for essential changes, making the poetic image undergoing transmutation and poetry＇s spatial form beginning changes, and leading the concept of stimulation occurring more exotic variations.

关 键 词：内形式 外形式 历史结构 情感空间 

分 类 号：I206.7[文学—中国文学]