晁补之文学批评补论  

A Supplementary Study on Chao Buzhi's Literary Criticism

作　　者：李朝军 

机构地区：[1]贵州师范大学文学院,贵阳550001

出　　处：《乐山师范学院学报》2014年第1期19-22,41,共5页Journal of Leshan Normal University

摘　　要：北宋文学家晁补之在揭示诗歌的非功利本质属性基础上,张扬和倡导纯文学、真文学观念,推崇不为名利所撄的作家作品;认为好诗"未可于文字精粗间求之",作品的质量根本上取决于作家人格境界的修养和完善。认同苏轼诗画相通的观点,又敢于提出修正意见。从理论上自觉为苏词革新张本,要求保持诗词的界限和词的当行本色,推崇闲雅蕴藉、清新自然的词作特色,词学观念逐步与苏轼靠拢。肯定散体大赋的形式体制、艺术特质和讽谏作用,具有一定的时代意义。明确提出融通、变通的文艺创作思想,进行诸多打破文体界限的尝试,为其文学创作带来创新的局面。Based on his understanding on the nature of non-utility of poetry, Chao Buzhi, litterateur in the Northern Song dynasty, advocated the thoughts of literature written with heart and feelings, respected the writers and works not for the sake of fame and wealth. He believed that good works fundamentally depend on the cultivation and perfection of the writers’ personalities other than the dictions of beauty and grace. Although he approved of the famous insight of Su Shi that poetry has lots in common with painting, he dared to put forward a revised proposal to it. Theoretically, he consciously supported Su Shi’s innovative use of Ci poetry genre while he advocated keeping the traditional feature of Ci poetry which is different from poetry. And he highly praised the Ci poems with the graceful, fresh and natural style. He gradually agreed with Su Shi about the writing thoughts of Ci poetry. It is significant to the literary creation in his time that he appreciated Han Dafu for its literary form, artistic characters and allegorical effect. Moreover, he clearly expressed the creation concept across different literary forms, and made several attempts in transplanting some stylistic factors between poetry, prose and Ci poetry. And this produced the creative aspects to his writings.

关 键 词：晁补之 超功利本质 真文学 散体大赋 融通思想 

分 类 号：I206[文学—中国文学]