《宠儿》碎片化叙事对宠儿身份的解构与建构  

Deconstruction and Construction of Beloved′s Identity via Fragmental Narration in “Beloved”

作　　者：李雪梅[1] 

机构地区：[1]四川文理学院外国语学院,四川达州635000

出　　处：《四川文理学院学报》2014年第1期81-85,共5页Sichuan University of Arts and Science Journal

基　　金：四川省哲学社会科学项目"酷儿理论视域下的黑人女作家作品中的女性身份诉求"(SC13WY18)

摘　　要：奴隶叙事的巅峰之作《宠儿》里面充满了后现代的叙事技巧,碎片化便是其中的一种,碎片化叙事使得文本的主题指向更多的可能性。通过碎片性叙事,莫里森对文本中的灵魂人物宠儿完成了身份的解构。任何叙事都是制造人物身份。莫里森对宠儿身份碎片化的解构,在读者的阅读过程中得以还原,身份得以建构。碎片是对个人以及整个族群命运的隐喻,是对一段血腥、荒谬与黑暗的历史的隐喻。建构,目的就是为了修复那段被中断,或被改写的历史。The masterpiece of slave narrative,＂Beloved＂, is profuse in postmodern narrative techniques, one of which is fragmentation. Fragmental narration makes the textual themes open to more interpretations. Morrison deconstructed the key figure Beloved＇s identity by using fragmental narration. Any narration is creating an identity for the characters. Morri- son＇s deconstruetion of Beloved＇s identity via fragmentation is constructed by reading. Fragments are metaphorized into the destiny of individuals and the black nationality, into a bloody, absurd and dark history. Construction aims to repair the history that has been discontinued or miswritten.

关 键 词：后现代 碎片化叙事 宠儿 解构 建构 

分 类 号：I106.4[文学—世界文学]