诗歌史的隐性坐标——论魏晋南朝时期的“新诗”  

The invisible coordinates' of poetry history——On the“new Poetry”From Wei Jin to Southern Dynasties

作　　者：葛志伟[1] 

机构地区：[1]南京大学文学院,江苏南京210023

出　　处：《福建师范大学学报（哲学社会科学版）》2014年第1期71-79,共9页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：江苏省2013年度普通高校研究生科研创新计划项目<中古五言诗的经典化历程>(项目编号:CXLX13-014)阶段性研究成果

摘　　要：魏晋南朝是我国诗歌发展史上的重要时期。通过对此期诗歌作品的阅读,我们可以发现一个有趣的文学现象,即"新诗"一词在此期出现的语境竟有二十余处。人们通常会将这些"新诗"简单理解为"新写的诗篇"。但倘若将此类"新诗"置于系统的、连续的诗歌发展史中去理解,我们就会发现它们与今日所熟知的诗歌史遥相呼应。事实上,在多数语境中,"新诗"的出现往往意味着诗歌史上新变化的悄然而至。这绝非是一种巧合,而恰恰是当日诗人们及其诗歌作品真正意义上的在场性体现。这种在场性要早于任何诗歌史的叙述,因而具有重要的学术价值。Wei Jin and Southern Dynasties is an important period in the history of Chinese poetry. By reading the poetry of this period, we can discover an interesting literary phenomenon that the phrase ＂new poetry＂ was so often used that we can see it for more than 20 times in the contemporary works. People usually take it simply as ＂newly written poems＂. However, if we try to analyze it in the systematic and continuous history of poetry development, we will find that these poems correspond naturally with the process of poetry development we are nowadays very familiar with. In fact, in many contexts,＂ new poetry＂ often means ＂change＂ or ＂innovation＂. This is absolutely no coincidence, on the contrary, it represents the presence of the contempo- rary poets and their poetry works in the process of poetry development. Since this presence is undoubtedly earlier than any literal description, it has great value for academic study.

关 键 词：魏晋南朝 新诗 诗歌史 坐标 

分 类 号：I207.22[文学—中国文学]