中韩早期电影“对照记”:1930年代银幕的东亚想象  

A Comparative Study of Early Films in China and South Korea: Imagining East Asia in the 1930s on the Silver Screen

作　　者：聂伟[1] 朱青[1] 

机构地区：[1]上海大学影视艺术技术学院,上海200072

出　　处：《上海大学学报（社会科学版）》2014年第1期12-20,共9页Journal of Shanghai University(Social Sciences Edition)

基　　金：教育部"新世纪优秀人才支持计划"科研项目(NCET-13-0898);上海市高等教育内涵建设"085"工程资助项目(085SHOX09)

摘　　要：21世纪以来发掘出来一批1930年代的韩国电影,其题材、主题、风格与同时期的中国电影创作存在诸多共通之处,即通过电影这种现代性媒介表现"反现代"主题。《迷梦》、《渔火》、《军用列车》是三部具有代表意义的韩国早期电影,将之与同时期中国电影创作进行对照研究,可探讨双重视角下早期电影东亚想象的银幕表现。A number of South Korean films produced in the 1930s were rediscovered since the beginning of the 21 st century.These earlier productions are similar to China’s movies of the same period in terms of sub-ject matter, theme and style.They both use this modern artistic medium to explore “anti-modernity” themes. By comparing the three representative early Korean movies “Sweet Dream”,“Fisherman’s Fire” and“Military Train”, with China’s early productions, this article explores how East Asia is imagined in the early films from a dual perspective.

关 键 词：早期电影 韩国 中国 东亚想象 

分 类 号：J912[艺术—电影电视艺术]