修辞学视野下的词体艺术风格论——詹安泰《论修辞》及其词学史意义  

Rhetoric in the Theory of Ci Artistic Style ——Zhan An-tai's Study on Rhetoric of Ci and its Significance in the Ci History

作　　者：刘兴晖[1] 

机构地区：[1]广东第二师范学院中文系,广东广州510303

出　　处：《广东第二师范学院学报》2014年第1期68-73,共6页Journal of Guangdong University of Education

基　　金：教育部人文社科一般项目:"中国士文化的美学观照--以晚清士人与词学为中心的考察"(12YJA751038);广东第二师范学院博士科研项目:"晚清民国的唐宋词选本研究"(2012ARF16)

摘　　要：詹安泰《论修辞》一文,引入现代修辞学研究方法,强调修辞目的和效果,一改词话玄妙莫测的叙述方式,创立"别是一家"的词体修辞论。以情感的传达和修饰作为修辞的根本,将语言学与文学研究相结合,试图化解技术词藻与词心词情之间的矛盾,呈现出以"学词"为基础的"大词学"观,由此发展的艺术风格论也成为当代词学研究的重要分支。Study on Rhetoric of Ci written by Zhan An-tai has introduced modern emphasized on the rhetorical purpose and effect, changed the narrative way of the Ci methods of rhetoric research, hua which was the traditional comments method and difficult to fully understand, and established the independence of Ci rhetoric. Rooted on the emotion＇ s modification and vivid conversation, he combined the methods in the linguistics and literature research, tried to resolve the conflicts between formal representation and the emotion conversation, stressed the point that the disciplinary System of Ci poetry should include composition and the theory of Ci. The artistic style of Ci rhetoric has become an important branch of the modern academic study on Ci poetry.

关 键 词：詹安泰 《论修辞》 词体修辞 艺术风格论 

分 类 号：H151[语言文字—汉语]