从“真诗”到“真我”:七子派对复古运动的修正与完善  

From "True Poetry" to "Real Self" : Seven-scholar School's Amendment and Improvement on Revivalism Movement

作　　者：魏宏远[1] 孟宁[1] 

机构地区：[1]兰州大学文学院,兰州730000

出　　处：《学术交流》2014年第3期162-166,共5页Academic Exchange

基　　金：国家社科基金重大招标项目"<王世贞全集>整理与研究"(12&ZD159);国家社科基金项目"王世贞晚年文献与文学思想研究"(10CZW030)阶段成果之一

摘　　要：李梦阳倡导复古运动,通过对某一历史时期文化典籍的情感认同,从而达到对"当下"文学观、价值观的否定,引导文学走出"当下",回归"历史",获得另一价值和追求。当然,他复古所追求的并不完全是文学效应,更多的则是政治、思想上的诉求,即通过复"古文",掌控文学话语权,以达到复"古道"、转变社会风尚的目的。文学之于李梦阳具有实用性和艺术性的双重功能,其早年倡导复古,崇尚气节,排斥佛教,追求的是文学的现实意义和实用功能,晚年提倡"真诗在民间",注重的则是文学的艺术功能。李梦阳晚年对"复古"认识的转变尤其是关于"真诗"说的提出,为王世贞的"真我"说奠定了基础。从"真诗"到"真我"表现出七子派对复古运动的不断修正与完善。Li Mengyang advocated the revivalism movement and denied ＂current＂ views of literature and val ue through emotional identity of cultural books of certain historical period, guiding literature out of the ＂pres ent＂ and returning to ＂history＂ to gain another value and pursuit. What he pursued, indeed, was not literary effect, but the appeal to politics and ideology, that is, through revival of ＂ancient literature＂, they could con trol literary discourse and regain ＂ancient methods＂ , and finally social trend could be changed. For Li Mengy ang, literature has dual function, practicality and artistry. In his early years, he advocated revivalism and moral integrity, rejected Buddhism, and chased the practical and realistic meanings of literature; in his later years, he held up ＂true poetry existing in the folk＂, focusing the artistic function of literature. Lit turning on the recognition of ＂revivalism＂ in his later years, especially the ＂true poetry＂ he advanced, laid a basis for Wang Shizhen theory on ＂real self＂. From ＂true poetry＂ to ＂real self＂, sevenscholar school showed their continuous amendment and improvement for revivalism movement.

关 键 词：李梦阳 王世贞 七子派 复古 真诗说 

分 类 号：I206.2[文学—中国文学]