论人类学影片在传统文化保护和旅游发展中的作用——以《傈僳族刀杆节影像志》为例  

Theory of Anthropology Films Role in Traditional Culture Protection and Tourism Development——Take the Lisu Knife and Pole's Festival Photo Memo as an Example

作　　者：王旺[1] 

机构地区：[1]云南大学民族研究院,昆明650091

出　　处：《保山学院学报》2013年第6期95-100,共6页JOURNAL OF BAOSHAN UNIVERSITY

基　　金：2013年度教育部人文社会科学重点研究基地重大项目"西南边疆跨境人口流动研究"(项目编号:13JJD850007)

摘　　要：影视人类学作为人类学新兴分支学科,其在丰富、发展人类学学科理论和方法上发挥了重要作用,同时影视人类学也为文化的保护和旅游产业的发展提供了新型媒介。傈僳族具有悠久的历史、丰富多彩的文化元素和旅游资源,但却不为外界所知,试以《傈僳族刀杆节影像志》为例,阐述影视人类学成果——人类学影片作为促进傈僳族传统文化保护与旅游业发展的新思路。Visual anthropology as an emerging subdiscipline of anthropology and it promote the development of anthropological theory and methods. At the same time, visual anthropology pro- vides a new medium with traditional culture protection and tourism development. Lisu has a long history, colorful cultural elements and tourism resources, but not known to outsiders. This paper takes the Lisu Knife and Pole＇s Festival Photo Memo as an example, elaborating anthropology films as a new idea about promotion Lisu＇s traditional culture protection and tourism development.

关 键 词：人类学影片 傈僳族 传统文化保护 旅游业发展 

分 类 号：G642.0[文化科学—高等教育学]