澳大利亚文学“冰人”——评詹姆斯·麦考利对现代主义的立场  

An Iceman of Australian Literature:A Comment on James McAuley's View of Modernism

作　　者：张慧荣[1] 

机构地区：[1]安徽科技学院外国语学院

出　　处：《国外文学》2014年第1期54-60,157,共7页Foreign Literatures

基　　金：国家社会科学基金项目"澳大利亚文学的批评传统"(07BWW002);校级项目(SRC2013337)和(X2012142)的阶段成果

摘　　要：本文通过分析麦考利人生的三个重要节点,即访问新几内亚和对原初文化的推崇、制造"厄·马利恶作剧事件"和皈依天主教并在诗歌中进行教会想象,揭示出贯穿麦考利艺术人生始终的主线是他对现代主义的激进抵制、对传统文化的恪守和对宗教神圣诗歌艺术观的弘扬,说明麦考利在40至50年代澳大利亚传统文化和现代文化冲突中敢于挑战欧洲现代主义,是维护传统文化纯洁性的代表人物。This paper,by analyzing three important events in James McAuley's life,including his visit to New Guinea,his playing of 'Ern Malley hoax ',and his conversion to Catholicism and his religious imagination in his poetry,reveals that the main thread running through McAuley's art is his radical resistance against modernism,his insistence on traditional culture and his promotion of religious poetry.

关 键 词：詹姆斯·麦考利 现代主义 传统艺术 宗教 

分 类 号：I611.06[文学—其他各国文学]