乌托邦的解构:《切文古尔镇》与《大师和玛格丽特》的集体无意识对比分析  

Deconstruction of Utopia:Contrast Analysis of Collective Unconsciousness in Chevengur and The Master and Margarita

作　　者：孙海英[1] 

机构地区：[1]南开大学

出　　处：《俄罗斯文艺》2014年第1期52-58,共7页Russian Literature & Arts

基　　金：教育部人文社会科学研究项目基金资助;项目批准号09YJC752006;黑龙江省教育厅2011年度人文社会科学面上项目;项目编号12512164;黑龙江省哲学社会科学规划项目"俄罗斯小说的流变研究"(10E018)

摘　　要：乌托邦理想作为俄罗斯文化的集体无意识在俄罗斯文学中被反复书写着,被解构的同时又被无数次建构。根据俄罗斯文化特征,可以认为俄罗斯乌托邦理想主要由两部分构成。即世俗乌托邦与神圣乌托邦。20世纪前半叶出现的普拉东诺夫的《切文古尔镇》与布尔加科夫的《大师和玛格丽特》两部小说.即是充分展现这两种乌托邦的解构与建构过程的作品,它们共同表明在世俗鸟托邦解构的基础上将有可能建立神圣乌托邦。As the collective unconsciousness in Russian culture, utopian ideal has been narrated repeatedly in Russian literature, being deconstructed and constructed over and again. According to Russian literature features it can be described that Russian utopian ideal consists of two parts, that is, the secular utopia and the sacred utopia. Chevengur by Andrei Platonov and The Master and Margarita by Mikhail Bulgakov, both appeared in the first half of 20th century, are such typical works of fully showing the deconstruction and construction of two utopias, demonstrating the possibility of building a sacred utopia on the basis of deconstructing a secular one.

关 键 词：普拉东诺夫 布尔加科夫 小说 乌托邦 

分 类 号：I712.074[文学—其他各国文学]