武舞神话:中国武侠电影的文化学解读  

Military Dance Myth: the Culture of Chinese Martial Arts Films

作　　者：邱海洪[1] 王俊云[1] 胡蓉[2] 

机构地区：[1]衡阳师范学院体育系,湖南衡阳421008 [2]衡阳师范学院美术系,湖南衡阳421008

出　　处：《搏击（体育论坛）》2014年第1期87-89,共3页Sport Forum

基　　金：衡阳师范学院科学基金项目;编号:11A14

摘　　要：武侠电影作为中国特有的电影类型,有着独特的价值观念、叙事模式以及深远的历史文化渊源。文章采用文献资料等研究方法,对武侠电影的形成与发展历程进行梳理,以武、舞同源为突破口展示出武侠电影的美学特征。并从武侠电影中的"武"、"侠"、"江湖"等方面对其进行解读,探讨武侠电影发展与成败的关键要素是文化、艺术与审美的完美结合。对中国武侠电影发展相关问题的文化学解读,增加我们对于武侠文化和武侠电影的认识,希望藉此深化我们对武术文化的理解。Martial arts as a unique genre in the Chinese film, with unique values, narrative mode and profound historical culture origin. Using the methods of literature, the formation and development of martial arts films, the paper studies the aesthetics characteristic of martial arts movies from the same origin of Wu and dance. And from the aspects of Wu, chivalry, Military circle, etc, the study interprets, discusses key elements of the martial arts movie development and the success or failure is the perfect combination of culture, art and aesthetic. The cultural interpretation of related problems on the development of Chinese martial arts films can increase our understanding of martial arts culture and martial arts films, in the hope of deepening our understanding of Wushu culture.

关 键 词：武侠电影 武术 文化学 解读 

分 类 号：G85[文化科学—民族体育]