傣锦流派发展渊源与造型艺术初探  

Research on the Development Origin and Plastic Arts for Dai Brocade Genres

作　　者：果霖[1] 张天会[1] 顾丽春[1] 张超[2] 徐人平[3] 

机构地区：[1]云南农业大学工程技术学院,云南昆明650201 [2]贵州大学艺术学院,贵州贵阳550003 [3]昆明理工大学机电工程学院,云南昆明650051

出　　处：《云南农业大学学报（社会科学版）》2014年第1期104-109,共6页Journal of Yunnan Agricultural University(Social Science)

基　　金：云南省哲学社会科学规划项目(QN201257);教育部人文社会科学研究规划基金项目(13YJC720049);云南省哲学社会科学普及规划项目(SKPG201202);国家社会科学基金项目(06XMZ034)

摘　　要：国家级非物质文化遗产傣锦艺术源远流长,富有特色。论文在讨论西双版纳傣锦和德宏地区傣锦两大流派发展渊源的基础上,详细分析了两者在面料、色彩、图案特点和纹样构成等造型艺术方面的特点、差异及其形成原因:西双版纳地区交通不便,艺术风格更具本民族传统原始宗教的特征;德宏地区地处古代南方丝绸之路要冲,较多受到内地工艺的影响,进化较快。最后指出:傣锦两大流派的形成及其造型艺术特征是地理条件和社会环境共同作用的结果。Dai minority brocade is a non-material cultural heritage of state-level, and it has a long nd is distinctive. Dai minority brocade is divided into two major genres. One is Xishuangbanna district Dai minority brocade, another is Dehong district Dai-minority-brocade in Yunnan province. In lhis paper, it is analyzed for development origin of two major genres. And the characteristic, difler ences and forming reasons on the shell fabric, color, pattern features and dermatoglyphic pattern con stitute are studied for the two major genres. The results show that the traffic is inconvenient in Xishuangbanna district, so the artistic style of Dai-minority-brocade has traditional primitive religion characteristics of Dai minority. And Dehong district is the traffic centre of ancient southern silk roads, and the manufacturing craft was affected by the Han nationality, so it evolved faster. From the forming reasons of two major genres, geographic position and social environment play an important role in the development of national traditional arts and crafts.

关 键 词：傣锦 流派 发展渊源 造型艺术 

分 类 号：J523[艺术—艺术设计]