唐婚恋传奇中男性形象塑造的艺术成就探析  

An Analysis on Artistic Achievement of Male Images Shaping in Tang Marriage Legend

作　　者：王卫[1] 

机构地区：[1]商洛学院中文系,陕西商洛726000

出　　处：《商洛学院学报》2014年第1期38-41,72,共5页Journal of Shangluo University

基　　金：商洛学院科研基金项目(09SKY034)

摘　　要：唐婚恋传奇不仅继承了六朝志人小说以人物形象塑造为中心的创作观念,而且塑造人物形象的意识更加自觉,结构布局和叙述故事也是为塑造人物形象服务,并有意识地运用肖像描写、对话描写、心理刻画等各种艺术手段来塑造人物性格,且不断趋于成熟。所塑造的各类男性形象群体,不仅共同特征突出,而且个性鲜明,生动丰满,细腻传神。Tang marriage legend carries forward the creative concept of human which receives great attention in six dynasties novel on people, but the awareness of writing human is more conscious. Shaping the characters’ image gradually becomes its central topic, telling stories also gives service to shaping characters’ image, and using such artistic means as the physical description, detail description, dialogue description, psychological analysis and etc. to describe the character, and continuing to mature. The shaped various male image groups not only highlight the common features, but also fill with attitudes, vividly, fully, exquisitely and expressively.

关 键 词：婚恋传奇 男性形象 自觉意识 

分 类 号：I206.6[文学—中国文学]