中国电影的大时代还有多远——基于票房陷阱与现代性迷思的断想  

How Soon is the Great Era of Chinese Film? Some Fragmentary Ideas Based on the Box Office Traps and Misconception of Modernity

作　　者：杨晓鸿[1] 

机构地区：[1]云南财经大学传媒学院

出　　处：《浙江传媒学院学报》2014年第1期63-67,125-126,共5页Journal of Zhejiang University of Media & Communications

基　　金：2013年度国家社会科学基金项目<马克思主义悲剧理论与现代性研究>(13BZW001)的研究成果

摘　　要：文化消费需求旺盛,中国电影生产日益多元化不断创造票房纪录,然而对文化产品的价值判断是多重的,同时也是多维度的。从女性主义视角与现代性思考得出,应该警惕的是不能盲目地以一种商业化的成功去摆脱西方电影商业化的侵蚀,更不能陷入一种盲目的、自恋的、异化的现代性情境迷思。否则中国可以在巨大的文化消费需求推动下迎来电影产业的"小时代",但很难形成可以持续发展壮大的产业模式,也很难真正在全球电影市场获得应有的一席之地,迎来中国电影的大时代。Cultural consumption demand is blooming. The Chinese film production increasingly and constantly creates box office records. However,the judgment of the value of cultural products are multiple and multi- dimensional. Based on a feminist perspective and the reflection of modernity,we should be cautious that we should not blindly get rid of the erosion of West commercialization by a kind of the success of commercial film. Furthermore,we should not fall into a blind,narcissistic and alienation of the myth of modernity. Otherwise,there will be an era of film industry driven by the huge demanding of cultural consumption. However,it is difficult to form a sustainable industrial model and find a right position in the global film market and welcome a great China Movie Era.

关 键 词：电影产业 商业化 现代性 

分 类 号：J992[艺术—电影电视艺术]