谈《死亡之匣》之“陌生化”审美  

The De-familiarization in Death Kit

作　　者：焦柏洳[1] 

机构地区：[1]河南大学外语学院,河南开封475001

出　　处：《郧阳师范高等专科学校学报》2014年第1期49-53,共5页Journal of Yunyang Teachers College

摘　　要：苏珊·桑塔格(Susan Sontag,1933一2004)是当代西方最引人注目,最具争议性的作家及评论家之一。《死亡之匣》是桑塔格的第二部长篇小说,发表于20世纪60年代。重点从叙事结构、叙事角度和叙事语言等方面,深入分析、论证《死亡之匣》的创作是如何运用陌生化理论,取得了新奇的艺术效果,从而带给读者以全新的审美体验和内心感受。Susan Sontag （1933m2004}, a visible and controversial contemporary American writer and critic. Death Kit is her second novel, which published in the 1960s. Aiming at exploring the literary charm and the spiritual essence of this novel, this paper attempts to make a thorough analysis of Death Kit, from the perspectives of narrative structure, narrative focalization, and the language, by dint of studying the application of the theory of de--familiarization in the cre- ation of this novel and analyzing the attainment of the desirable result of Origin and uncommonness which endows the readers with an entirely new art evaluation experience and unprecedented inner feel.

关 键 词：陌生化 苏珊·桑塔格 《死亡之匣》 

分 类 号：I712.074[文学—其他各国文学]