约翰·邓恩《歌与十四行诗》的陌生化艺术  

Defamilarization in John Donne's Songs and Sonnets

作　　者：胡伶俐[1] 潘利锋[1] 

机构地区：[1]湖南科技学院外语系,湖南永州425100

出　　处：《外国语文》2013年第6期30-33,共4页Foreign Languages and Literature

基　　金：湖南省教育厅科研课题"论约翰.邓恩对托马斯.艾略特的影响研究"(10C0729)的阶段性成果

摘　　要：以约翰·邓恩为代表的玄学派诗歌因创新的形式、独特的意象和诡辩的思辨受到了较多的谴责和批评。但是,随着新批评派的兴起,约翰·邓恩的诗歌得到了更多现代批评家和读者的青睐,究其原因,约翰·邓恩诗歌中的陌生化手法迎合了现代读者的需求。本文旨在分析约翰·邓恩《歌与十四行诗》中诗歌形式的陌生化、意象处理的陌生化以及奇喻表达的陌生化。The Metaphsical poetry represented by John Donne, for its innovative form, particular images, and sophistical thinking, received more criticism. However, with the coming of New Criticism, John Donne＇ s poetry was celebrated by modern critics and readers. The main reason lies in the technique of Defamiliarization in his poetry, which caters for the interest of the modern readers. This paper aims to explore the skill of Defamiliarization from the following aspects： poetic form, images handling, and conceit expression.

关 键 词：约翰·邓恩 《歌与十四行诗》 陌生化 

分 类 号：I561.072[文学—其他各国文学]