对倒叙事:香港后现代电影和小说的融合剂  

Tête-Bêche Narrative: Postmodern Film and Literature in HongKong

作　　者：凌逾[1] 

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《华南师范大学学报（社会科学版）》2014年第1期37-46,157,共10页Journal of South China Normal University：Social Science Edition

基　　金：国家社会科学基金后期资助项目"香港跨媒介文化叙事研究"(13FZW047)

摘　　要：对倒叙事开辟出小说与电影跨界的通道。王家卫擅长营造电影镜像时间、空间、声画的对倒,呈现难以言明的错失心理对倒创意,这得灵感于刘以鬯对倒小说的思想和叙事创意,也受启发于欧派灵魂电影的分身、生死、三色对倒创意。香港后现代小说电影创设出了新的港派对倒叙事。Tête-Bêche narrative is one of the cross-border connections between novels and movies. Wong Kar-wai's movies were good at creating the invert of time,space,sound and picture to express difficult implicit psychological ideas. He was inspired by inverted ideology and narrative creativity in Liu Yichang's novels,and also enlightened by the inverted narrative originality in the European soul movies including life and death,and the tri-color.There exist the multiple echoes among the modern and postmodern fictions and films in Hong Kong and the European New Wave film. We can understand the form as the Tête-Bêche narrative theory in Hong Kong.

关 键 词：对倒叙事 小说和电影 后现代性 港派对倒 

分 类 号：I207.4[文学—中国文学]