从“谨严”到“浮夸”——古代叙事艺术的跃进  

From"Preciseness "to"Luxuriance" :a Leap in Ancient Narrative Art

作　　者：王先霈[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《华中师范大学学报（人文社会科学版）》2014年第1期75-82,共8页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金重大项目"马克思主义文学批评的中国形态研究"(118&ZD078)

摘　　要：历代学者对韩愈所说"《春秋》谨严,《左氏》浮夸"严重误读,他们要求的"谨严"是以道德正当性和政治正确性压倒叙事的真实性,把叙述者对事件的阐释当做事件本身来记载,这就造成了历史叙事的片面和缺失。《左传》在许多地方采纳多种史料,叙述事件的真实情况,介绍了当时对应该如何记载的不同看法,这是历史叙述者对史实及关于史实的不同阐释的正确处理方式。《左传》记叙事件包含了《春秋》所缺乏的叙事的各个元素,运用推想,写出了人、人心和人性,文辞华美丰赡。从《春秋》到《左传》,实现了古代叙事艺术的飞跃。Scholars ＇ Spring and of different times have greatly misinterpreted Han Yu＇s statement Autumn Annals is precise while Zuo Zhuan is luxuriant＂ The preciseness they require places moral righteousness and political correctness before narrative authenticity, and the narrator＇s interpretation of events are recorded as events themselves, thus resulting in the one--sidedness or absence of historical narrative. Zuo Zhuan frequently adopts historical data from various places to describe the reality of events, and introduces various views about how events should he recorded at the time. This is a proper way for historical narrators to deal with historical facts and their various interpretations. The narrative of events in Zuo Zhuan includes elements that Spring and Autumn Annals lacks; it employs imagination to write about human being, human heart and human nature, and its language is luxuriant and colourful. From Spring and Autumn Annals to Zuo Zhuan, a leap is made in ancient narrative art.

关 键 词：《左传》 《春秋》 韩愈 历史叙事真实性 叙事艺术 

分 类 号：I206.2[文学—中国文学]