清抄本《五音通韵》的调类系统  

The Tone Category in Wuyintongyun

作　　者：秦曰龙[1] 李晔[2] 

机构地区：[1]吉林大学中国文化研究所社会科学学报编辑部,吉林长春130012 [2]吉林大学公共外语教育学院,吉林长春130012

出　　处：《华中师范大学学报（人文社会科学版）》2014年第1期101-108,共8页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金重大招标项目"东亚珍藏明清汉语文献发掘与研究"(12&ZD178);吉林省社会科学基金项目"日藏<五音通韵>及相关韵书研究"(2012BS05);吉林省语委"十二五"科研规划一般项目"清末民初吉林方言词汇考察"(JYKL125YB-04);吉林大学哲学社会科学创新团队建设项目"汉字与中国古代文化"(2012FRTD06)

摘　　要：日藏清初抄本《五音通韵》,韵图与韵书密切配合,韵书是体,韵图为用,互为表里。该书齐开合撮四呼已经定型,平声分为阴平、阳平,全浊上声变读去声,就韵图韵书来看,还保留有入声,但是[-p]、[-t]、[-k]只配阴声韵,与中古时期已不相同。它反映了当时汉语官话的语音面貌,具有一定的语音史、音韵学史价值,是研究现代汉语普通话语音演变历史的重要文献。In the book Wuyintongyun of Qing Dynasty, the manuscript preserved in Japan, rhyming dictionary and rhyme table cooperate closely with each other and depend on each other. In this book, kai, qi, he, and cuo are designed; level tone is divided into yin and yang; voiced falling-rising tone becomes falling tone, entering tone is still maintained. As a significant document for the research of Mandarin phonetics evolution in China, it depicts an overall picture of Mandarin phonetic system of that time. This book is of great academic values for the research of the history of Chinese phonetics and phonology.

关 键 词：汉语语音史 《五音通韵》 平分阴阳 浊上变去 入声虚列 

分 类 号：H114[语言文字—汉语]