试论宋懋澄的文言小说创作  

On Song Maocheng's Creation of Classical Chinese Fictions

作　　者：吴雅楠[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《南阳师范学院学报》2014年第2期57-60,共4页Journal of Nanyang Normal University

摘　　要：宋懋澄是明代后期杰出的文言小说作家,也是首位将稗说收入文集的文人。所作多篇都成为小说史、戏曲史上具有原创意义的佳作,这与他对稗官家言的重视是分不开的。宋懋澄小说的深层内涵与独特魅力主要体现在三个方面:情痴与情殇;好异与任侠;淑世与愤世。作者具有独特的创作观念,即选择典型题材抒写晚明社会各阶层独特的人生经历和情感体验,并将自己的批判意识贯穿其间,达到纪实性与创造性的有机结合。Song Maocheng is not only an outstanding writer of classical Chinese fictions but also the first literary figure to have incorporated unofficial historical accounts and folklores into formal collected works. Many of his works have now become literary essences of great originality in the history of Chinese novels and of Chinese opera, which, obviously, is closely related to his attaching great importance to unofficial accounts and folklores. The profound implications and unique charm of Song Maocheng＇ s fictional works are reflected in his depiction of the following three aspects： 1 ） infatuations and frustrations; 2） knight-errantry and unconventionality; 3） compassion and cynicism. Guided by his unique creative concepts, the author chooses typical subject materials that can shed light on the life experiences and emotional feelings of all walks of life in the late Ming Dynasty. Besides, the author also blends in his own critical thoughts throughout his writing, thus accomplishing the integration of record keeping and creativity.

关 键 词：宋懋澄 文言小说 内涵 创作观念 

分 类 号：I206.2[文学—中国文学]