汤显祖“因梦成戏”戏曲观的形成及其审美价值  

On the Formation and Aesthetic Value of Tang Xianzu's Drama Theory of “Dream Producing Drama”

作　　者：储著炎[1] 

机构地区：[1]安庆师范学院黄梅剧艺术学院,安徽安庆246133

出　　处：《南京师范大学文学院学报》2014年第1期22-26,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：汤显祖"因梦成戏"戏曲观念,是在其"因情成梦"的独特人生体验与"以梦写情"的戏曲创作传统基础上形成的。从《紫箫记》到《紫钗记》,体现了汤显祖"因梦成戏"戏曲观念的理论自觉,之后他完全遵行了这种戏曲创作逻辑,并且进一步丰富了其审美内涵。这种戏曲观念的美学价值在于"梦"不仅是剧作家用以塑造人物、观照现实、寄托理想的重要手段,也是剧作意蕴风格、艺术个性形成的重要因素,更是戏曲编创的"主脑"与关捩,其中涉及到中国古典戏曲美学诸如"虚实"、"体用"、"传奇"、"真幻"等审美范畴。The drama theory of ＂dream produces drama＂ was based on Tang Xianzu＇ s unique life experience of ＂true feeling creates dreams＂ and the drama tradition of ＂expressing emotion through dreams＂. Its theoretical consciousness is demonstrated in his works from The Purple Jade Flute to The Purple Hairpin. After- wards, he fully followed this creation logic and further enriched its aesthetic connotation. The aesthetic value of this theory is that dream is not only used by the dramatists to shape the character, reflect the reality and en- trust their ideality, but also an important factor forming artistic charm and unique features. It even becomes the key of drama creation. It involves many traditional Chinese drama aesthetics conceptions such as ＂void and real＂, ＂body and function＂, ＂legend and fantasy＂ and so on.

关 键 词：汤显祖 因情成梦 以梦写情 因梦成戏 

分 类 号：I207.309[文学—中国文学]